Dominic Richardson — Editor · Camera · Production

Editing & Post  ·  Camera  ·  Production

Dominic
Richardson

BA (Hons) Film & Television Production · Bournemouth University

Second-year Film & TV Production student who edits as well as shoots. First-year credits across editing and post, producing, studio camera, sound and lighting — plus stills from fine art studies to a commissioned store shoot. Looking for a 2027/28 placement year in creative production and post, and crew work on real productions.

01

Showreel

Forty seconds from the year-one work — studio camera, green-screen composite, the car shoot and interview. All footage Dominic's own.

02

Films & Productions

Year One, Bournemouth University. Each piece is a portfolio cut — the full versions are available on request.

Camera Operator

Multi-Camera TV Studio Production

Bournemouth University · 2026 · 0:24 cut

A studio-built show recorded live to gallery — band performance, autocue links and a three-guest interview segment. Operated a studio camera to the director's talkback, framing and reframing shots through rehearsals, timed run-throughs and live-to-tape.

Multi-cameraLive galleryStudio crew

Producer · Camera · Editor

Green Screen Production

Bournemouth University · 2026 · 1:26 cut

A two-hander dialogue scene shot on green screen and composited into a period interior, with the key, floor shadow and window light matched to the plate. Produced end to end — scheduling, crew, kit bookings, risk assessments — then shot, cut and graded it.

Green screenCompositingProducingGrade

Writer · Sound · Lighting · Editor

Cars & the Film Industry

Video essay · 2026 · 1:23 cut

An essay on how cars carry character and period on screen, from Goldfinger to Tokyo Drift. Researched and wrote it, rigged and operated sound and lighting for the interview shoot, shot the original car footage and cut the piece.

Location soundLightingInterviewEdit

Writer · Editor

Lighting & Colour

Video essay · 2026 · 0:28 cut

A close reading of how lighting and colour carry the storytelling — the sodium haze of Blade Runner 2049, the candle-and-window naturalism of House of Guinness, the cold daylight of Inception. Film extracts are used for criticism and review and are credited on screen.

AnalysisEdit
03

Photography

Three strands — work shot on location, studio studies from A-Level Fine Art Photography, and a commissioned store shoot.

On location

A lit minaret against a mountain ridge at blue hour, Oman
Blue hour · Oman

Fine art studies

Clear glass marble with a red swirl, casting caustics onto white paper
Refraction study · glass and caustics
A goal on a fogbound pitch, desaturated except for a rectangle of colour around the goal
Fog · selective colour
Blue glass marble casting a long shadow on white paper
Refraction study · glass and caustics
An open compact mirror half-buried in rippled sand scattered with black stones
Compact mirror · desert
Monochrome rocky coastline with a rectangle of restored colour revealing anglers on the rocks
Coastline · selective colour

Made in the Desert · store shoot

Yellow illustrated camel on patterned black and white wallpaper in a store interior
Store interior · advertising and social
Lit candle set in white pebbles inside a marbled ceramic bowl, warm bokeh behind
Product · candle
Gift-wrapped coaster sets with illustrated Dubai and camel designs on a shelf
Product range · gift sets
04

3D & Blender

Self-taught modelling, shading and lighting in Blender — scenes built to practise the same things that matter on set: where the light comes from, what the surface does with it.

Mangrove roots silhouetted against a large rising moon reflected across still water
Mangroves · moonrise
Close render of a blue-green human iris against black
Iris · procedural shading
Circular gold lattice arena set with red gems, surrounded by tiled monochrome panels
Arena · geometry study
Three glossy black panels with coloured edges standing on a blue backdrop
Gloss panels · material study
Blue glass bottle among gold columns, reflected in rippling water
Glass and water · caustics
A stack of monitors showing the sea, backlit by a low sun through a window
Monitor wall · backlight
05

About

Second-year Film & Television Production student at Bournemouth University who edits as well as shoots — first-year credits across editing and post, producing, studio camera, sound and lighting.

Comfortable in a live multi-camera studio and on location, with a reputation for organised, reliable work — production paperwork and risk assessments through to wrap. Raised in Dubai and used to working across nationalities and cultures.

Looking for a 2027/28 placement year in creative production and post, alongside crew, runner and freelance work where there's something to learn on a real production.

Course
BA (Hons) Film & TV Production, 2025–2028 · Year 2
Based
Bournemouth, UK · Dubai, UAE
Status
British national
Post
DaVinci Resolve, Adobe Premiere Pro · grading, keying & compositing
Camera
Studio cameras, multi-camera operation
Sound
Location recording, mic setup & levels
Lighting
Location & studio setups
Also
Blender · product photography
06

Contact

Available for placements, crew and runner work, and freelance.

Email

richardsondominic555@gmail.com

Phone (UK)

+44 7737 739099

Phone (UAE)

+971 58 530 3898

CV

One page, PDF

Open CV